Dr. Thomas Föhl - kunsthistorische Einordnung

LOI
Letter of Interest

Dieter Walter Liedtke has asked me for his works the exhibition Part I and Part II art open codigo universo - The theory of everything i = E = MC2 as well as the importance of his complete works for art and society, a report for the public and the To create media from an art historical point of view..

Kunst zu Weimar sammlungen

Art historical classification of the works and the concept of the above mentioned exhibitions by Dieter Walter Liedtke

For decades, Dieter Walter Liedtke has been known as an uncomfortable, contemporary avant-garde artist on the art scene, daring to balance the art and the public with a new enlightenment as part of the art open exhibitions. Dieter Liedtke works as an inventor, writer, architect, visual artist, researcher, philosopher and art theorist, who founded the art direction of Concrete Evolutionism in the 70s and introduced it in his book The Consciousness of Matter in 1982.

Under the term Concrete Evolutionism, he summarizes the artists and works of art, which continue an evolution of the consciousness of humans and consciously cancel out previous cultural, religious and cognitive boundaries and let the population participate in this dissolution and thus in the future all people in a creative, open global society to participate in this.

Internationally renowned art historians, curators and art critics are said to be comparable to Leonardo da Vinci through his many inventions, researches and innovative works of art.

Dieter Liedtke on this:

You can not limit that to me - everyone is the new Da Vinci -

I have dealt extensively with the Leonardo da Vinci comparison and the complete work of Dieter Liedtke on the newly planned exhibitions from the perspective of art history.

In contrast to Leonardo da Vinci, Dieter Liedtke not only decodes his own works, but also for the first time all works of art and art directions with the help of the graphic art open / codigo universo art formula developed by him in 1988, which he has published in many books. Under the patronage of the Spanish Queen Sofia, the Nobel Peace Prize Laureate Michael Gorbachev and the Minister of the Federal Republic of Dr. Norbert Blüm he has u. a. the art exhibition art open (1999 in Essen Germany on 23,000 square meters of exhibition space) with the world premiere The evolution of art from the Stone Age to today on the basis of museum loans with over 1000 original works of art using his formula, organized as a curator.

The art open art exhibition of innovations and their evolution in art has generated more than 1 billion TV, radio and print media contacts in Germany.

The experiences from the art open art exhibition in Essen have encouraged him to intensively research his works in conjunction with the formula.

In his works until 2007 he seems to have succeeded in the incomprehensible, this formula for innovations (or creations) in art, which he has given the extended name: art open / codigo universo, to the social evolution, our future and all creative processes in the Universe as a possible creator, to apply and answer many questions of our existence.

His works of art can be subdivided into five creative cycles. The works of research:

  1. The art
  2. In physics and astrophysics
  3. An eternal life
  4. A possible peace between the religions
  5. The principle of creation

Seine Arbeiten entstehen nach den Gesetzen der Quantenmechanik. Sie verbinden, und das ist in der Kunstgeschichte ein Novum, den Mikrokosmos mit Platons Welt der Ideen, den Intuitionen und den (materialisierten) Informationen sowie den, wie Liedtke sie nennt, nicht-materialisierten Informationen als auch mit dem Makrokosmos, um bewusst zu Forschungswecken und zu neuen Lösungen für die Zukunft zu kommen.

Die in seinen Werken manifestierten, revolutionären Aussagen und Innovationen sowie die intuitive Materialwahl der vorhandenen Materialien und die evolutionäre Ungenauigkeit der Technik, die der Quantenphysik gleicht.

Dieses in der entweder Genauigkeit oder der Unbestimmtheit mit derselben Versuchsanordnung (das Kunstwerk) durch den Rezipienten, physikalisch durch das Nicht-Beobachten des Kunst-Prozesses oder das Nicht-Messen erzeugt wird, zeigen zu einem die Ungenauigkeit, die Unbestimmtheit des Materials und der Technik, zum anderen begründen dieselben Werke (und auch hier ergeben sich dieselben Ergebnisse wie in der Quantenphysik) sehr genaue, neue Aussagen, Theorien und Formeln und das Jahrzehnte bevor die Forschung in den Geistes- und Naturwissenschaften sich damit beschäftigt und vergleichbare Ergebnisse gefunden hat.

His works are based on the laws of quantum mechanics. They connect, and this is a novelty in art history, the microcosm with Plato's world of ideas, intuitions and (materialized) information, and what Liedtke calls non-materialized information, as well as the macrocosm, for deliberate research purposes and to come up with new solutions for the future.

The revolutionary statements and innovations manifested in his works, as well as the intuitive choice of materials used and the evolutionary inaccuracy of the technique, which is similar to quantum physics.

This, in either the precision or indefiniteness of the same experimental set-up (artwork) produced by the recipient, physically by not observing the art process or non-measuring, demonstrates to one the inaccuracy, the indeterminacy of the material and the technique On the other hand, the same works (and here too the same results as in quantum physics) give rise to very precise, new statements, theories and formulas, and the decades before research in the humanities and natural sciences has dealt with them and found comparable results.

The innovative insights and concepts from his work reveal a new theory of nature, matter, genes, human beings, politics, societies, religions, and the universe, and create an inherent principle of creation behind the laws of nature. that he makes visible in his works of art.

His ability to gain new insights through his work by researching through the intuitive creation of his works and the results in the fields of art, philosophy, medicine, sociology, society, economics, theology, physics to a new image, to a revolutionary theory put together by everything. This has not been the case in the art history of the visual arts so far.

Years later, scientists received Nobel Prizes (until today 15) for the new theories resulting from the works of art or parts thereof, without having been aware of Liedtke and his works. Also through these independent research results of the Nobel laureates and their studies receive his anticipatory works of art their scientific confirmation. His creative process, as he comes to these findings through art, has historically given art a new meaning and direction. How the anticipation of research results over decades is possible and has to be scrutinized scientifically.

Important scientists, art historians and exhibition organizers have worked together with Dieter Liedtke for years and certify that Liedtke's works are (r) evolutionary, of a unique, art-historically high quality. Her remarks prove that his works and new theories in art and culture show a completely new emphasis as well as a transparent overall connection to the evolution of man as a whole. Through the innovative power of the formula and the insights gained from his artworks as well as the encouragement of the scientists working with him, Liedtke has developed five intuitive series of works of art for the social systems of the future and combined them into his Gesamtkunstwerk i = E = MC2 as a New World.

Part one

The Art Exhibition: The theory of everything i = E = MC2. The exhibition is divided into five interlocking sections, which are designed on 1,000 square meters to 4,000 square meters total exhibition space with over 500 works, all of which are decoded by its formula coherently as information and creation.

The exhibition areas are structured as follows:

  1. The Art Formula - What is Art
  2. Globalpeace - Peace between religions
  3. aimeim - Eternal life through information
  4. Information - The Base of the Universe / The Theory of Everything
  5. Information - The principle of creation

The exhibition part II

The extension and transfer of the exhibition to the society with the art action.

"Take shape"

Dieter Walter Liedtke founded three joint stock companies in order to start the second renaissance and to provide part of the financing for this. One each in Spain, Ireland and the USA, to which he has transferred works of art and books and to whom he donates all proceeds from the sale of the transferred works to finance the development of the companies.

Dieter Liedtke gives a lot of the shares of the three companies to the knowers and supporters as well as to the visitors of the art exhibitions in order to win comrades in favor of a New World: art open codigo universo - The theory of everything i = E = MC2 Admission ticket for an exhibition and thus participate in the profits of one of the three companies.

Having come to the foregoing art historical assessment of the works of Dieter Liedtke, I hereby declare my serious interest in the exhibition:

art open codigo universo - i = E = MC2

to assist at various museums in Germany and abroad and to be available as an art history consultant for the exhibitions..

Dr. Thomas Föhl

Art historian Klassik Stiftung Weimar
Member of the Board of Directors

Liedtke-Museum in Port d‘Andratx

Hauptmenü

Apartments / Seminare

  • Seminario
    Apartment mit Meerblick
  • Pollock
    Deluxe Studio mit Doppelbett
  • Rembrandt
    Studio Apartment
  • Kandinsky
    Doppelbettzimmer mit Meerblick
  • Da Vinci
    Studio mit Meerblick
  • Picasso
    Doppelzimmer mit Meerblick
  • Boticelli
    Apartment - Erdgeschoss
  • Van Gogh
    Budget Doppelzimmer
  • Liedtke
    Deluxe Suite mit Meerblick
  • Dali
    Deluxe Apartment

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