With Dieter Liedtke, the person can not be separated from the work, even to a lesser extent than with other artists, since he is not only active as an artist but also as a researcher and inventor/creator, and his artworks play a vital role as a means of communication and reflection that he uses to describe and to depict, to record impulses as well as to present his complex ideas. It is therefore appropriate first to dedicate a few sentences to his person.
I know Dieter Liedtke as an artist and inventor of the art formula and as curator of the “art open“ art exhibition since 1996.
Based on the topics chosen by my students for their theses, I have come even closer to his work. Here we should specifically mention a project in which the aim was to create a CD-ROM program with Dieter Walter Liedtke‘s art formula in order to decrypt the works of art history through the visual representation of the innovations represented therein and thus show the evolution in art for the first time for all people with a software program.
This project is based on the art formula developed by Liedtke, which was also the key element taken as a basis for the art exhibition “art open“.
In addition, in 1999 I myself took part in the “art open“ art exhibition “The innovations and the evolution in art from the Stone Age to the present day“ in Essen, where he was presenting his revolutionary formula to the population, with a presentation of my own.
Dieter W. Liedtke‘s work gives art a new dimension, an evolutionary, comprehensible function for the culture, the innovations and human evolution in general.
The art of Leonardo da Vinci and his achievements as an inventor are widely known to me.
The examination of Dieter Liedtke‘s innovations as an artist and inventor and of the comparison with Leonardo da Vinci required several years of conscientious analysis of Liedtke‘s works, scientific theories and inventions, a task to which I have devoted myself since 1996, accompanied by intensive personal conversations with Dieter Liedtke about his art, his inventions and research results in physics.
Inventions and art accompany Dieter Liedtke since the early 60s of the last century. At that time he photographed and painted; he also opened an office for “Inventions on request“ in Essen. So he invented, for example, many household appliances, POS systems and audiovisual advertising systems that were implemented by him or sold as patent application. With some, such as the data bracelet that anticipated the development by decades, which is why he did not further pursue it, he was ahead of his time.
After 1999, I have repeatedly dealt with his technical inventions and analysed their potential for implementation, and I am surprised by the revolutionary solutions he suggested. For example, the generation of renewable energy by the air stream on motorways and rail roads by means of vertical wind rollers with noise reduction for local residents close to the tracks and direct energy savings in vehicles by the suction effect in the lee of the rolls, or the social network “aimeim“ for free cell rejuvenation on the Internet through information.
Thus Dieter Liedtke also draws a new image of physics and biology, reveals a different conception of matter and DNA. His approach to this and to the origin of the entire universe is information.
With his formula, which combines the quantum theory with the theory of relativity and contains the law of conservation of information, Dieter Liedtke vividly turns existing scientific theories upside down in his artworks, providing revolutionary theories in physics and astrophysics, the understanding of a new concept of the universe.
If I have understood him correctly - and that‘s not always easy - he has developed his theory so that the information is incorporated in natural sciences as a physical variable. For him, there are two sides to information, like quantum mechanics: on the one hand, it is not subject to space, matter, or time, that is, it exists simultaneously and everywhere, on the other hand, it is manifested in energy or matter. By introducing the distinction of information and the physical categorization of this strict separation and based on the idea that both forms of information merge into information clusters, information families or, as he also calls them, “self-sustaining information networks“ - and in this context he assumes that these two forms of information are interrelated by entanglements - it seems that in his theory he has managed to extend Albert Einstein‘s equation: E = MC2 into: i = E = MC2 (i = information)
In this theory, the information is converted by the entanglements and the growing information networks into space, gravitation, energy and matter.
In its simultaneity and its ability to be anywhere, in its speed by its self-sustaining qualities oriented to the growth of the information networks (similar to the genes and the DNA in biology), the information is integrated and decelerated in the information family.
Through the endless stream of information in the universe, the information evolves into waves - information networks that constantly densify with additional information and decelerate as they densify.
As information continuously evolves into physically measurable background radiation (which can lead to the measurable inference that the already measured irregularities in the background radiation are proof of the growth of information in the universe) these condensations of network and cluster information become elementary particles with possible entanglements with non-materialized information and information networks (see Einstein-Rosen-Podolsky EXPERIMENT whose results indicate that the information in the universe is exchanging and building information networks without delay) that make up a holistic universe.
The abbreviated formula for his revolutionary theory of the universe: